Stefan Fraunberger is an experimental musician , sound artist, and linguist living. Ahead of his appearance at Berghain for CTM Festival in Berlin, Fraunberger has assembled a mix introducing you to his unique soundworld. Surreal playlist details below!
«the mix contains some of my music / concepts for dulcimers and rotten church organs as well as a few strange fieldrecordings scattered in which i have done in the last years all over.» — Stefan
email // globalunderground@o94.at
twitter // @tristan_bath
Playlist:
barzakh — hereafter / in between, for electromagnetic santur, electr. and interval crisis. // its a part of the live recording from last years donaufestival. the premiere of the comissioned work which i will perform in a transformed version on 1. feb. at ctm / berghain.
the live rec slides into a fieldrec i ve done at «suq al ahad» — the sunday market in beirut in 2014. hundreds of birds in cages mixing with vendours megaphones and a view generators…
fades into a recording i ve done a few weeks before in teheran, iran. its a studio recording — no editing. a duo with two santurs: the great female santur player — tehrans very own Atoosa Afshari and myself improvising on of my favourite dulcimer patterns. name:»Ornamental Noise #3″.
then we jump 8 years back to the «suq al-ahad» — eastern aleppos steelworkers market / by now ereased by common powers of the «civilised world» — what we hear is the hammering of steelworkers plus two gentle muazzins joining in for azan (evening prayer) — i named it «once there was a song and a hammer in aleppo / requiem»
continiuing to a recording i ve done october 2016 in varanasi / india on an indian style santoor (dulcimer) which is quite different to the persian one i normally use. no cuts and no edits. its as i played / recorded it in my flat in varanasi. serves as a part of the soundtrack i do for the south african movie production «the woodwind»… the track is called: «The Great Game»
moving on to a recording i did with a quite ruined romanian dulcimer in the bushes somewhere in the outkirts of vienna called: «bushsideminiature #3»
that goes into a zoroastrian recitation of the avesta i recroded in the outback of the zagros range in iran in 2014. dont tell the mullas… (:
moving through some waterscapes to a recording i did in india in 2010 — an old blind man sitting near the way and singing a song… thousands of birds were joining him — love em.
finally moving to the 20 full minutes of the B side of my recent vinyl release «Quellgeister #2 Wurmloch» / recorded in the romanian village of Valea Viilor / Wormhole.
it s the second part of my sonic archeological series for left alone and semi-ruined organs in deserted saxon church fortresses in central Transylvania.
