Andraž Polič (predstavitev/interview)

Podcast
Marš: Oddaje v živo / Live Broadcast
  • Andraž Polič (predstavitev/interview)
    03:33
audio
05:20 min
Jana Putrle Srdić (prestavitev / interview)
audio
07:22 min
Gregor Podlogar (predstavitev / interview)
audio
06:20 min
Brane Mozetič (predstavitev / interview)
audio
05:23 min
Suzana Tratnik (prestavitev / interview)
audio
54 sec
Sara Lubej (predstavitev / interview)
audio
04:22 min
Tomislav Vrečar (predstavitev / interview)
audio
18:19 min
Primož Čučnik (predstavitev / interview)
audio
01:17 min
Lidija Dimkovska (prestavitev / interview)
audio
02:45 min
Alja Adam (predstavitev / interview)
audio
09:45 min
Nina Kokelj (predstavitev / interview)

Med sprehajanjem, kuhanjem, ljubljenjem in spanjem je Andražu Poliču uspelo ustvariti glasbo za več kot deset gledaliških predstav po Sloveniji in tujini. Nastopa z avtorsko skupino Hamlet Express. Med lenobnim razmislekom je do zdaj napisal in objavil pet pesniških zbirk: Hamlet v Karpatih (1996), Miniature (2000), Brlog besed (2002), Srečevanja (2003) in Zrcala na razpotju (2004). Še naprej živi in dela, kot da ni nič samoumevno …

Iz spremne besede Vida Sagadina: Andraževa nova pesniška zbirka prinaša utrinke, impresije z njegovih potovanj: bodisi s tople barvitosti juga bodisi z ostre kontrastnosti severa. Medtem ko pesmi z juga znova razgrinjajo morske motive, le da tokrat morje ni simbol dramatičnih, notranje razburkanih stanj, kot v prvi zbirki, ampak je lesketajoča se modrina, ki vabi utrujenega popotnika k ležernemu hedonizmu, se v pesmih severa znajdemo v zadimljenem kavarniškem okolju, kjer se « razkosani emigranti » zbirajo, da nazdravijo svojim dogodivščinam.

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During walking, cooking, making love and sleeping Andraž Polič has created music for more than ten theatre performances in Slovenia and abroad. He appears on the stage with the Hamlet Express group. During the idle consideration he wrote and published five poetical books:Hamlet in Karpati (1996), Miniature (2000), Kennel of words (2002), Meetings (2003) and Mirrors at the crossroads (2004). He still lives lives and works as if nothing was self-evident.

From the accompanying text by Vid Sagadin: The writer’s collection brings aphorisms and impressions from his journeys: either from warm colourful south or from the sharp contrastness of north. While the poems from the south show the sea motives, only this time the sea is not the symbol of dramatic, internal agitated conditions like in the first collection, it is the glittering blueness, which invites a tired traveller to hedonism, on the other side the poems from the north show the smoky coffehouse, where people meet to toast their adventures.

Beteiligte:
lana@radiomars.si (Verfasser/in oder Urheber/in)

Genre: Interview

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