Tonight we are talking about the “unconditionality of art”! How did .dɩtirambs, an association founded in Vienna in 2003, come about? When merging musical, performative and audio-visual forms of expression in the experimental work of the artists as well as about the unconditional nature of artistic expression, what do we get? And only if we cross different languages, cultures, literary, and theatrical Workcenter of Jerzy Grotowski and Thomas Richards, we are still talking about .dɩtirambs. We will definitely talk about Post-Yugoslav women-oriented literature because my is guest Melisa Slipac.
Sie, neu, sie selbst
Übermüdet vom Alltag
Überspannt vom ständigen Kampf
Von Bitternis überdosiert
Übersatt von menschlicher Bosheit und Dummheit
Ona, nova, svoja
Preumorna od svakodnevnice
Prenapeta od stalne borbe
Predozirana gorčinom
Prezasićena ljudskom zlobom i glupošću
Odlomak iz pesme iz dvojezične zbirke Troglavi svijet/Dreikopfwelt, Melisa Slipac
Melisa Slipac, born in Banja Luka, Bosnia and Herzegovina in 1978. M.A. in English, Spanish, Bosnian, Croatian, and Serbian language and literature from the University of Vienna. Published a book of poetry Ples između zidova (Dancing among the Walls) in 2007, a bilingual collection of poetry Troglavi svijet/Dreikopfwelt (Three headed World) with two other female authors in 2017, a monography Black Female Sexuality and Nature of Womanhood in 2009 and a few academic articles on Post-Yugoslav women-oriented literature. Active member of the intercultural associations ditiramb and LINE IN. Works as a language teacher and trainer and currently finishing her doctoral thesis at the Department of Slavonic Studies, University of Vienna.
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